Archive for January, 2010

In conclusion…

Saturday, January 2nd, 2010

Early thoughts on the course structure were often of distraction, frustration and the urge to ‘throw in the towel’ which had to be resisted.

“I’m not yet sure that my Lifestream will eventually portray an objective picture of my involvement with digital culture and I don’t see lifestreaming as a mash-up … but I’m willing to give it a decent try.” Bill Babouris Blog entry 30/09/09

Many battled with the technology but swift intervention by tutors helped, though more in-depth textual support at the outset in the course guides would have been useful, with screenshots to help the less technologically-advanced students.

Using the lifestream to assess strangeness is to demonstrate the disjointed and spectral nature of our studies, and the lack of boundaries was noted:

@damiendebarra working with barriers can be comforting as well as restrictive. total freedom can be a scary place!” @sarahp 22/09/09

However, collating  these resources in the lifestream creates the familiarity that Bayne seeks to avoid.  It may demonstrate the “learning process as volatile, disorientating and invigorating” (Bayne, 2010: pg 8), but surely putting everything together gives us as learners our own VLE?

Having completed the course I would have to state emphatically that I believe this course has succeeded in demonstrating discomfort as a learning method. This has been the most challenging, infuriating and ultimately rewarding course of study that I have ever undertaken.

“Predictability and certainty become less the norm and paralogy, or the acceptance of dissensus and conflict in what constitutes knowledge, is more readily seen as a positive value” (Usher 1998: pg1)

When something is strange and disjointed I believe that you intensify your focus to make sense of it. It is in man’s nature to impose order on the world, to find patterns, as he regards the stars and reforms them into the image of gods. This takes imagination and deliberation and what Usher calls “multi-disciplinarity, multi-literacies and transcoding, and ‘imaginative’ skills to gather information and connecting it together in new ways” (pg 1)

The uncanny allows us to manipulate existing and accepted knowledge to create new knowledge.

References Used

The theory of uncanny pedagogies and how one online course is attempting to use technology to promote discomforted learning. By Sarah Payne

Saturday, January 2nd, 2010

This piece is designed to supply the reader with a beginning and an end – but the route taken on this journey is decided by the reader.

The design pays homage to Kress and allows me to use new technologies to address “the relative power of author or reader” (2005: pg9). In conventional essays the reader is passive – following a path set by the author. Here I give control to the reader and allow them to choose their own path.

The topic is the uncanny nature of learning and specifically with reference to this course; the uncanny nature of the delivery should match the uncanny nature of the subject matter.

Introduction

As new media technologies become more part of everyday life, consumers experience a new type of reality that can be far removed from their lived existence.

“Ubiquitous computing disturbs the sense of physical location, extending and multiplying the body throughout the globe”  (Poster, 2002: pg758)

Poster (2002) argues that information media “transform(s) place and space in such a way that what has been regarded as the locus of the everyday can no longer be distinguished as separate from its opposite” (pg743)

We can no longer discern what is real.  The act of engaging in a new reality, for example, recreating a facet of personality in a personal journal (or blog), can blur the lines between reality and unreality. The author writes, and the creation can be “unapologetically confessional, a space where the self is carefully and painstakingly constructed and consumed”  (Bryson, 2008 :pg801) but it can be ‘consumed’ and manipulated by anyone else.

“Reliance on the familiar distinction between the public and the private becomes no longer possible, fundamentally upsetting the markers of freedom in each domain.” (Poster, 2002: Pg758)

This is a new experience for many. The digital narrative that individuals now inhabit online can be a strange, unstable and frenetic place.

“It is no doubt the case that when we work in internet environments, we work with technological spaces which are highly volatile, and which offer us new and potentially radical ways of communicating, representing and constituting knowledge and selfhood.” (Bayne and Ross, 2007: pg1)

This volatility leads us to feel disjointed and distracted – too much is happening and we may struggle to control the “sudden unfamiliarity of our textual and communicative practices (Bayne, 2010: pg2). This ‘uncanniness’ and sense of strangeness that this engenders causes the familiar to feel unfamiliar – we view our own reality in a altered fashion and often we cannot recognise it. In the wired world notions of time and place, the (un)reality of the body, and the source of knowledge is constantly challenged, where previously we have understood their nature.

“Each new reader in the electronic environment can her- or himself become a contributor/designer/writer; the lines between consumer and producer can be transgressed, blurred.”  (Carpenter, 2009: pg140)

This blurring of the lines  is a challenge to educators if they intend to embrace digital culture in academic practices:

“The university, its inhabitants and the project of teaching and learning are being rendered uncanny by the workings of digital technology” (Bayne, 2010: pg1).

This requires a new language/understanding on the part of academics as Usher points out, “Pedagogy can no longer be seen simply as the ‘authoritative’ transmission of canonical bodies of knowledge by research-based ‘experts’.”  (1998: pg1). Learners require more than being fed facts to be memorised and they expect to encounter knowledge using a multitude of methods and technologies:

“Learner-centred approaches are reflected in practices in which the instructor still defines largely what needs to be learned, but how that learning takes place and how it might be represented are things students are increasingly empowered to determine. Learning-centred approaches, finally, acknowledge that the world is changing”  (Brown and Peterson, 2009)

This approach empowers learners to manipulate their own learning, and maybe even the traditional Virtual Learning Environment has become too outmoded to fulfil this requirement.

Confusion

Confusion