Archive for October, 2009

Research Design

As a methodologist, I cannot ignore the issue of the research design of my micro virtual ethnography.

Given the time limit on the ethnography – basically a week – the study will be an exploratory one.

I will be using my own checklist for research design – see di Gregorio, S. and Davidson, J. (2008) Qualitative Research Design for Software Users, Open University Press: Maidenhead – http://mcgraw-hill.co.uk/html/0335225217.html

Research topic/ problem

Research Topic

The topic, which was given to us, is to do a virtual ethnography of a virtual community.  Motivation for this topic is partly practical (it is required for this course) but also intellectual and theoretical – to explore what is a virtual community.  The particular virtual community (if it is a virtual community)  I am going to explore is Davidsfarm. Why Davidsfarm?  It is fair to say it is a YouTube phenomenon – starting in April 2007 – with over 1000 video uploads by Dave – who has his fans – who have developed their own Davefarms fans’ website – and who has his ‘haters’ who have made serious and disturbing allegations about Dave’s past.  I ‘found’ Davesfarm a few months ago when I was exploring how internet users have not only been content producers but also analysts of their own and other’s content.  My focus then was on life histories – how users construct and analyse their life – and I found the video below that Dave constructed of his life history.

YouTube Preview Image

It is Dave’s construction of his life and his many videos are Dave’s construction of Davesfarm.  The popularity of Davesfarm suggest for his followers or fans that it is what David Bell calls an ’ imagined community ‘ which they can join online.

Research questions

Research questions

The kinds of questions I am asking are ‘what’ questions.  What is Davesfarm? What is a virtual community? What would constitute as evidence of a virtual community?  These are very big questions and I cannot hope to answer them in a week.  The literature I am drawing from is the reading suggested on the course particularly Hines and Bell. I have also bought Hines’ book – C. Hines (2005) (Ed.) Virtual Methods: Issues in Social Research on the Internet, Berg: Oxford - which I intend to dip into. 

The approach is exploratory and from a social constructionist perspective.  It will be descriptive – hopefully giving a very general overview of Davesfarm and the elements that may constitute evidence of a virtual community.

Data Collection

Data Collection

The kind of data I will be collecting is secondary data – data created for other purposes. I will be looking at some of the videos on Davesfarm, some comments on some of the videos, links to other sites (such as the fan site) that is related to Davesfarm.  Due to time constraints, I will not be creating any primary data – such as interviewing Dave himself or some of his fans. The data itself is all qualitative although some descriptive statistics – such as number of videos uploaded, number of subscribers etc will be collected.

(Note: I am thinking about the term data collection – is this data collection or data observation?  Hmm.)

The research setting is online (I need to add this to my schema above).

The sampling strategy is retrospective – looking at the online history of Davesfarm.  The sampling strategy is theoretical – in the sense that I have already identified several types of videos on Davesfarm – ‘life on the farm’, ‘how-to videos’, and ‘Dave’s personal reflections’.  There may be other types. I intend to look at some of the comments on each type.

What I am able to do will be constrained by the time available for this task – one week. I have the necessary resources – computer and broadband link but my time on this task has to be balanced with the time I need to devote to my paid work.  In terms of ethics and access,  the materials I will be looking at are all public and easily accessible.  My proposal conforms to the four principles on ethics outlined by Sian

  • Ethical expectations of venue – both videos and comments are public so there is less obligation to protect individual privacy, confidentiality, right to informed consent, etc. They expect their comments to be read and commented upon.
  • the posters themselves do not constitute a vulnerable group
  • the initial expectations of both Dave in posting his videos and those who post comments are that they are a public not a private communication
  • the risk of the research to those involved in Dave’s farm is minimal as everything examined is in the public domain

Data handling and analysis

Data analysis

Given the time constraints, the analysis I will be able to do will be very general. I intend to use one of the timeline software packages to map out a rough timeline of Davesfarm.  I will use Tumblr for my research journal and reflexive memos as I explore Davesfarm.  Given time constraints data reduction will be very broad – based on the key types of videos I outlined above and key types of comments and contributors to Davesfarm.  I think I will use Delicious to bookmark these as I find them. I also have Evernote which I might use to store key information.  How I will present all this, I still need to think about. Of course, what I have outlined above is subject to change depending on what I find.

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Week 5 Lifestream Summary

I started off the week in Cardiff (Monday and Tuesday) and found that I had more time to work on the course when I am running all day workshops away (as opposed in London where I live).  That is because I can work on the train (ala Andy’s artefact) which I can’t do on the tube (ala my dystopic day artefact) and I can fill my empty evenings away with work/study.

Sian’s feedback was very helpful as it indicated that I was on the right track with the lifestream.  It is useful to reflect back on the week as it is easy to forget, for example, what I bookmarked in Delicious  and the range of things I explored.  This week I finally figured out Tumblr and have added it to my lifestream.  In previous posts I had mentioned that the work I did reading was not reflected in the lifestream.  I was inspired by Sian/Jen’s original description of the lifestream as an adaptation of the 17th century practice of ‘commonplacing’ – where individuals collated sayings, quotes, proverbs, images and thoughts in a single scrapbook.  I felt that the quotes bit was missing from my lifestream. I have started to use Tumblr as I read in order to extract key sentences that I want to reflect on in the reading.

Tumblr image

So as the focus of this week turned to thinking about our virtual ethnographies we will each be conducting my lifestream reflects some of the tools I checked out for reporting the ethnography, some links to ethical issues including an IBM video on what they are doing about cryptography.  I actually already had done some reading on internet ethics for a paper on Web 2.0 research which will be published in January.  My focus then was on the analysis of data online of which there is little published (as opposed to conducting research online) but I had read some of that literature. Unfortunately what I read was not digital – I had to go to the British Library to read the material – so I couldn’t add it to the Delicious tag that Sian set up.  But the issues I had focussed on were to do with privacy issues, ownership, copyright, security and the differing situation between the EU and the States.  Ethical issues were brought up in the Discussion Board and I added my thoughts about that before Sian and Jen blogged about their guidelines which was helpful.

The most difficult decision for me was to decide on the topic of my virtual ethnography. I blogged about my indecision.  I think I have decided now.  The criteria I used was ethical considerations about choosing a site that was public, that people were aware and happy that their posts were online, and a site where I did not belong.  For such a short study, I do not have the time to negotiate permissions and I was uncomfortable in doing so covertly – particularly as my presentation about the site would be so public.  So that ruled out Methodspace – http://www.methodspace.com/ which was my first choice. I think I will look at Davidsfarm – http://www.youtube.com/user/Davidsfarm#p/a a YouTube phenomenon – and I will blog about that separately.

On the Discussion Board they was some talk about looking at a site vs community and what was a virtual community anyway. I found the Hine and Bell readings helpful in that respect as well as the examples of virtual ethnography that have been recommended in the reading. 

By focusing on sites, locales and places, we may be missing out on other ways of understanding culture, based on connection, difference, heterogeneity and incoherence…the field site of ethnography could become a field flow, which is organized around tracing connections rather than about location in a singular bounded site. p. 61 Christine Hines

I like Hines’ notion of a ‘field flow’ rather than a ‘field site’ with a focus on connections.  If I think of studying my own household it would be very limited if the focus was just on the physical house itself and its inhabitants. It would be missing the connections to my mother and brother in the States, my sister in Italy, my step-son in Epping and my step-daughter in West London – all of whom impact on my household relations.

the texts that consitute the shared space of [a virtual] community…’enable participants to imagine themselves part of the community’ Bell, D. (2001) citing Baym (1998:62) p. 102

In relation to online communities, I found the Baym quote which Bell cites very illuminating.  The text of chat, comments etc. replies are ‘physical’ evidence of interaction, of a community which can be imagined.

I am not sure that Davidsfarm is a community but there is plenty of evidence for people to imagine it as one.  And that is what I think I shall explore.

 

 

 

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Undecided – which site, which community?

So far this week I have been trying to decide which virtual community I should look at.  On the discussion board I had suggested Methodspace http://www.methodspace.com/ as a possibility. 

I thought of looking at Methodspace which was set up about 6 months ago by Sage Publications for academic researchers. They invited all the academics they publish to join plus anyone interested in social science methods can join. I think they have over 1000 members.

However, I thought as I am a member of the group it could be problematic.

Then I thought about looking at a YouTube phenomenon I found a few months ago – Davidsfarm.

YouTube Preview Image

He posted his first YouTube video two years ago and in June posted his 1000th. He has a worldwide following – with 55,872 subscribers.  The video I embedded above has had over 91,000 views. His most popular video – extreme jeep jump – has had over 1, 600,000 views. He has produced many ‘how to’ auto mechanics videos in addition to his videos on ‘life on the farm’.  But is Dave’s farm a virtual community?  Well, there is a lot of interaction going on – and some people who found him on the net have visited him on the farm. It seems kind of like a male bonding site – ordinary guys who enjoy messing with cars, trucks etc, drinking beer and having a few high jinks.  It is a completely public site so that minimizes the ethics issues we have discussed on the board.  I am curious to understand what about it makes it so attractive to others.

I don’t know. I have looked at a couple of Flickr group sites – again related to something I had looked at before – Flickr craft groups.  I found several scrapbooking sites in the past – and some people run courses through Flickr. I found a very interesting one and when I explored it I saw the teacher was a very talented teenager http://oldladyinateenager.blogspot.com/2009/02/life-story-class.html who has a blog http://oldladyinateenager.blogspot.com/ and an online shop http://www.etsy.com/shop.php?user_id=6152942 The trouble is that while the photos of the people who take her scrapbooking class are public, I think they have all copyrighted them.

Decisions, decisions.

 

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Week 4 Lifestream summary

This week has been focused on creating my visual artefact and viewing and commenting on other fellow students’ artefacts.  I have been really impressed by the quality of the work we have produced as a group.  This week I felt more connected with other students by viewing their work and commenting on their blog – and reading other people’s comments.  It was an excellent exercise in getting the group to interact.

My own artefact was a video (or rather two videos) but it was not purely visual.  I agree with Sterne that it is easy to focus on the visual and neglect sound.  Music played an important part in getting the message across in my videos.  Without the music, the visual by itself has much less impact and, I think, makes much less sense.  The music sets the scene and emotional tone of the visual.  Plus I added text at selected points in the video to get across the message I was trying to make in the video.  I suppose I could say that as author of the videos, I used a multi-modal approach in order to ‘control’ how my video was interpreted.  This is counter to what Kress is arguing.

 “Speech and writing tell the world; depiction shows the world. In the one, the order of the world is given by the author; in the other, the order of the world is yet to be designed (fully and/or definitively) by the viewer.” p. 16

Years of academic training made it difficult for me to let go and let the viewer decide.  Reflecting back now, maybe I should have tried to make a piece about the digital world that could be interpreted as either utopic or dystopic – depending on the predisposition of the viewer.  But I don’t think I am capable of doing that at the moment.

Andy commented about the skills I possessed in creating the video and felt he was not as skilful.  (Ironically, I thought his video was very well produced – which I think I commented on his blog).  I know the faults in my production! I couldn’t get things synchronized the way I wanted and the transitions got out of place when I speeded up the video so I did the best I could in the end.  It is true, that I already had a Flip video camera (and have bored my family endlessly the last few months videoing them) and I have Camtasia Studio which I got to produce training videos but I have never produced such a complex video before.  And I am glad that this course made me stretch myself.  But I chose tools that I was at least a bit familiar with.  I really like the look of Prezi but I quickly decided that that is something I’ll explore in my own time rather than experiment with for this exercise.

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Utopic Day

Here is the companion piece to Dystopic Day.  Had a lot of trouble synchronizing things so this is the best I can do technically.   Dystopic Day should be watched first. 

I always find it easier to conceive of a dystopia rather than a utopia. Many years ago I read Dante’s Divine Comedy.  I could relate very well with Hell and Purgatory but not Paradise (I never finished reading Paradise). Any way, this is my conception of a utopic day at work. I wonder whether many of the dystopic images of a digital future we viewed during the film festival were really related to our current non-digital conceptions of dystopias.  Whereas it is much harder to depict a utopican digital future.  Just a thought.

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Dystopic Day

After a lot of technical difficulties I have my visual artefact up on YouTube. Originally, I intended it to be one video – Dystopic Day, Utopic Day – but I thought I better get Dystopic Day up and hopefully I will have time to add Utopic Day.  If not I will add to this blog the concept behind the contrasting video.

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Silvana’s Lifestream Week 3

Lifestream activity looks rather thin this week due to conducting all day workshops on Monday, Tuesday and Wednesday and having a surprise birthday away day at the Fat Duck in Bray (Heston Blumenthal’s restaurant) on the Thursday.  I am not sure how personal the lifestream should be as I videoed each course (with my small Flip recorder) and could have uploaded onto YouTube and linked to the stream.  Surprisingly the lunch (which took three hours) was relevant to the week’s discussion on genres and multimodal communication.  Blumenthal’s philosophy to cooking and eating is on his web-site – http://www.fatduck.co.uk/ .  He says:

“Eating is a multi-modal process (involving all the senses). Any comments concerning food being just about taste are misguided. Try drinking a fine wine from a polystyrene cup or eating a beautifully cooked piece of fish off a paper plate with a plastic knife and fork, it is not the same.

Both physiological and psychological factors come into play and in many cases, they cannot be separated. Take-for example- a fine wine drunk from a polystyrene cup; the shape of the cup will affect the perceived smell and flavour of the wine (physiological) and the material will affect the feel of the cup in the hand and on the lips (psychological).“

His restaurant is unique and represents a new genre of eating establishment borrowing techniques from acting, theatre and magic.  Below is one of the thirteen courses we had – Nitro-scrambled Egg and Bacon Ice Cream (sounds weird but it was delicious).  Each course was explained and performed in a similar style.

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Gold nugget finds of the week:

Artist Chris Jordan shows how art can be a more effective medium for communicating complex statistical information http://www.ted.com/talks/chris_jordan_pictures_some_shocking_stats.html

Professor Melanie Hundley puts multi-modal, multi-genre academic work into practice http://www.vanderbilt.edu/bardonporch/The%20Bard%20on%20a%20Digital%20Porch_files/frame.htm see my earlier blog about this work.

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An example of multiple genres from an academic

Digital porch

I noted Damien’s comment on why do academics talking about transliteracies and new genres use the established academic genre.  Melanie Hundley, Assistant Professor at the College of Education and Human Development at Vanderbilt Peabody College is an academic blending genres.  Her multi-media hypertext autoethnography, The Bard on a Digital Porch, http://tinyurl.com/ygrxync  is a good example of an academic exploring multiple genres.  She writes:

“The goal of the project was two-fold; first, I wanted to craft my family stories into a collection of pieces that introduced a reader to Shakespeare the way that I met him in bits and pieces, fits and starts, quotes and misquotes. I also wanted to rediscover the rhythms and language of my childhood…

The choice of creating a digital ethnography is deliberate and part of my first goal the non-linear nature of hypertext mirrors the fits and starts of how I met Shakespeare. A traditional format did not suit the goal. This ethnography is both digital and multigenre in its format.”

Regarding genre, she says:

“I feel that academic writing limits me to a particular type of argumentation and idea presentation (as does storytelling).  I want to be able to choose among a variety of genres to express my ideas; I want to be able to choose the genre that best showcases what I want to say.”

Her autoethnography contains stories, poems, journal entries and photos.  There are three paths the reader can follow:

  • A chronological path that begins when she was seven
  • A path that lets you follow the players in the stories
  • A path that lets you follow play titles and quotes

Hundley writes about the multiple purposes of her text.

“There are multiple purposes for this excursion that is both ethnography and hypertext. It is both a ambling path through the stories of my childhood and an attempt to write in a form that enacts theories of text made explicit in hypertext. As an author of this text, I have my own purposes for this text. The purpose is also you, your journey, your meaning-making, your construction will allow you to co-author the text. You are on your own wander, meander, explore, construct.”

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Lifestream Week 2

I am still getting used to how to use the lifestream. I noticed that a lot of what I did during Week 2 is not reflected in the lifestream. I mentioned that in the blog I did commenting on Sian and Jen’s discussion on lifestream as chaos or curation.  I am not as digital as I think I am!  In addition, I ran two day long workshops (and three this week) which limited when I can get online.  Enough excuses! 

What I achieved was a string of twitter comments on the film shorts.  I quite like twitter. It is nice to record an immediate reaction and to see other people’s immediate reaction to the film shorts.  I think Twitter is an effective tool to use with blogging – directing the twitterverse to a more detailed exposition of one’s thoughts. I haven’t done this yet but Tony has been doing this very effectively.

The week’s discoveries include:

New technology

IBM’s Watson – http://www.youtube.com/watch?v=3e22ufcqfTs&feature=player_embedded#t=149

HAL is nearly here! IBM’s Watson has natural language processing technology which will “advance the state of the art of automatic question and answering”.  “It will be able to think critically”.  And who are they testing it on? University professors?  Nobel prize winning scientists? Nope, the US game programme Jeopardy!

Government and the internet

More nuggets about government initiatives on the internet

1)    Beth Novak on open government and the internet:

http://www.ethanzuckerman.com/blog/2009/09/21/open-government-beth-noveck-at-transparent-text/

2)    US government has relaxed its grip on the internet:

It has signed a four-page “affirmation of commitments” with the net regulator Icann, giving the body autonomy for the first time.

“Internet users worldwide can now anticipate that Icann’s decisions…will be more independent and more accountable, taking into account everyone’s interests,” said Viviane Reding, European Commissioner for information society and media.

http://news.bbc.co.uk/1/hi/technology/8283310.stm

Gold nugget find of the week – the ultimate lifestream

Microsoft researcher Gordon Bell has been moving data from his brain onto computers. He makes pdf files of every web-page he views.  He photographs restaurant receipts, medical records, bills and correspondence.

http://www.cnn.com/2009/TECH/09/25/total.recall.microsoft.bell/index.html

“In sum, this mountain of data — more than 350 gigabytes worth, not including the streaming audio and video — is a replica of Bell’s biological memory. It’s actually better, he says, because, if you back up your data in enough places, this digitized “e-memory” never forgets. It’s like having a multimedia transcript of your life.”

But the ultimate lifestreaming tool he has is Microsoft’s SenseCam. 

http://research.microsoft.com/en-us/um/cambridge/projects/sensecam/

SenseCam is a wearable camera (it hangs from a cord around your neck) with a fish-eye lens that videos your day to day life from the wearer’s point of view.  It has a number of electronic sensors including a heat sensor which will trigger it to record.

Here is an example of someone’s day  as recorded by SenseCam and reduced to 2 minutes.

 

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Reflections on Poster and images of digital culture

Poster, Mark (2006) “The good, the bad and the virtual” from Poster, Mark, Information please: culture and politics in the age of digital machines pp. 139-160, 274-5, Durham, N.C.; London: Duke University Press.

What struck me from our two week short film festival was the way the cyberworld and the future were dominated by dystopian images.  The robotic/ digital futures were portrayed as colourless, dominated by shades of grey merging into black.  The machine/ robots were not to be trusted.  A threat of machines taking over, and threatening humans was pervasive.  At the beginning of the course I posted a short video on Wallwisher which used a series of clips of old technology (telephone switchboards, television etc.) to illustrate the impact of new technology. I posed the question: Is the impact of new tech just more of the same?  Sian had commented that I would enjoy Poster who would illustrate in how, in at least one area (ethics), it is not the same.  She was right. I found Poster very interesting. In particular, his discussion of ‘the good, the bad, and the virtual’ as not a polarization – an idea he borrows from Leone’s film – the Good, the Band and the Ugly – where introducing ‘the ugly’ upsets the polarization of good and bad – and where in fact, all the characters were ‘bad’. 

In a sense, Poster starts by saying, in a way, that it is ‘more of the same’; that every new medium has been greeted with a warning of undermining the ethical basis of society.  But the way each new medium impacts on society and ethical issues is different.  Poster takes a Nietzschean view that ethics is an historical construct (p. 145).  The following is what Poster identifies as unique to the internet as a medium and digital culture:

  • Up to the introduction of the WWW in 1993, it was dominated by the culture of computer scientists and the ethos of the university community
    • Ethic of sharing information
    • Designed as an open, harmonious community with no gates
    • Users were mostly civil and felt it was a utopian communication device
      • Some new forms of strife appeared: flaming, spamming but community felt newbies could be coached into netiquette
  • Post 1993 with the creation of Web Browsers the number of users increased dramatically
    • No longer possible to coach newbies
    • Broadcast media presented the internet to the society at large especially those with no experience of the internet
      • Important not to ignore intermedia rivalry and the threat of the new medium to the old in the way the internet was/is portrayed
      • Key ethical concerns:
        • Ease of access
        • Global availability of what is posted
      • Acts regarded as acceptable in certain contexts become moral issues owing to their media proximity p. 14
        • Publication in newspapers or television reporting make these acts known to non-Net users who make judgements
  • Issues on anonymity of identity
    • “…interface of computer and ease of communicating through a network renders identity in question in every case” p. 151
    • The virtual ethic may demand a different more demanding obligation:
      • “…act so that you will continue to maintain the identities you have constructed in relation with others”.
  • Overload and censorship
    • Paradox that everyone sees information as key to success (p. 154) yet everyone complains of information overload
      •  
        • Baudrillard – inverse relation between quantity of information available and quality of meaning in everyday life
    • Any crank can create a web-sit
      • May need new level of moral restraint, given ease of disturbing material can be make available world-wide p. 155
  • Internet researchers’ key concern: How can identity in cyberspace conform in “real life” pp. 155-6
    • Question of the nature of the good has become the nature of the ethical subject p. 156
    • Donath wants to impose standards of the ‘real world’ rather than explore ethic from the point of view of the new speech situation
    • Mediated identities are by no means stable, that “identity deception” is not an adequate conceptual vehicle to understand ethics in the mode of information p. 157

Poster’s solution is to take a Nietzschean perspective that explores the good and the bad in the culture of the virtual p. 158  He claims that digital media shuffles us around into new agglomerations that make no sense in relation to proximate practices and norms pp. 159-160.  Digital culture is still new, we are finding our way.  Popular conceptualizations are still very black and white, good vs bad.  Perhaps we should not see the media as the problem but how we use it.  We are still exploring ways of using it.  And there are different constituencies – government, commercial, activists, educationalists, criminals etc – struggling to shape the media to their needs.  Chaos to the souls of those online indeed.

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