Archive for category Readings

Embodied absence, uncanny pedagogy and prosethetic devices

00 Me Collage2

Above is a digital collage of all my presences on the web – I tried to put this up on Wallwisher a few weeks ago but I couldn’t embed it. At the time, I commented ‘my fragmented and distributed self’ and now having read Sian I can see that it is also evidence of my embodied absence on the web.

On registering on a social site, we are invariably invited – almost as a first step – to ‘upload an image’, to duplicate ourselves visually in a piece of identity work which invites artifice and play as much as ‘authenticity’ or its semblance. In that our images and profiles – and, in more visual environments, our avatars – represent a ‘re-embodiment’ within the terms of the digital, we scatter our ‘bodies’ across the web where they gain a kind of independence as nodes for commentary, connection and appropriation by others into new networks and new configurations. These versions of ourselves become representative of uncanny ‘embodied absence’ as much as ‘disembodied presence’ (Hook 2005); our actual and immediate activity on the network at any given time is less important than the presence of our representation, our ‘ghost’. p. 6

My initial view was that I was scattered in several places in cyberspace. I understood it as both evidence of the cognisphere and also as an extension of myself as a cyborg. But I found the notion of being scattered and fragmented uncomfortable – scattered and fragmented being seen as negative states. However, conceptualizing this as ‘embodied absence’ makes me happier. I see it now as having ‘bookmarks’ in several places; that my representation of myself or my avatar hold my views and musings or artefacts that I constructed which others can reflect upon and comment upon without my being present in real time. That I can have multiple conversations simultaneously yet asynchronously – bending time and mind. I feel the lifestream is important as a device to collect my scattered selves. It is a tool to help me reformulate my fragmented thinking into a new whole.

The relation to pedagogy, I would like to reflect on Usher quoting Green on learning as traditionally being seen in terms of ‘interiority’.

…Green (1993) …argues that learning has traditionally been conceived in terms of ‘interiority’, a particular kind of cognition and mental development, linked to a normative view of rationality…new technologies [can be seen ] ‘as amplifiers of human attributes and capacities, and hence of human potential; as prosthetic devices which enable learners to operate differently’ (Green 1993:28) p. 4

Usher, Robin (1998) Lost and Found: ‘cyberspace’ and the (dis)location of teaching, learning and research, Research, teaching and learning: making connections in the education of adults, SCUTREA, Exeter.

While Sian correctly pointed out during our chat session that this is another duality contrasting traditional and new approaches to learning, I think the concept of interiority is worth reflecting upon. Perhaps Green’s distinction is too sharp; that there is a place for ‘interiority’ when using new technologies in education. I would argue that in reflecting on an academic article, for example, one would go through an initial process of ‘interiority’, assessing the article in terms of one’s previous knowledge, linking it to other relevant articles etc. What is different in the idea of ‘prosethetic devices’ which enable learners to learn differently is when, for example, the student then blogs about their initial thinking about the article and is open to comments from multiple sources – not just the tutor but also fellow students as well as anyone else who cares to read the blog.

What I found accelerated learning in this course was being able to read other students’ blogs and comments. In traditional teaching essays are a private interaction between an individual student and tutor. And I wonder whether this is linked to traditional assessment criteria that the assignment has to be the work of the individual student only. However, if the objective is learning not assessment then the ‘privacy’ of individual work is no longer important. Feedback from a variety of sources is what is important. We need to let go of the notion of our ‘ownership’ of ideas. Of course, this is counter to academic career structures where you need to show evidence of your individual publications. And it might not work so well in primary and secondary education where one needs to gain confidence in one’s own ability first before sharing it for scrutiny by others – I don’t know. However, I think it is relevant for post-graduate work. For example, most research is done by teams yet we insist that dissertations and theses are sole works. A newly minted social science PhD may never had any experience of collaboration in research but that is what they are likely to do if they pursue a research career.

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Gies, embodiment, biometrics and anonymity

biometrics physical

Gies states:

The rhetoric of digital disembodiment is manifestly at odds with the increased use of surveillance technologies which are rendering the body more traceable than ever before. p.316 citing Aas, 2006

Since 9/11 national border security has been computerized so that passports have a digital signature. In the States, visitors have their fingerprints taken and photography has been used on exiting visitors at the UK border and they are experimenting with iris identification. DNA samples are used on a regular basis to identify criminals and CCTV is ominpresent in the UK, monitoring our movements in public spaces and is regularly used in criminal investigation.  So Gies’ statement rings true in our everyday experiences.  The body is the source of identification.

He also states:

it would be wrong to suggest that it is only now that the material body is becoming fully relevant in online interactions. Embodied communication has always been present on the internet: even before broadband technology brought a global multimedia complex into the home, text-based discourse on the Internet already revolved around discursive markers capable of revealing the identity of users. p. 317

Gies argues that the way we use language reveals us online in terms of education, class, nationality and possibly gender.  But there are other behavioural biometrics that can identify us.  Handwriting has a long history of identifying individuals.  We do not reveal our handwriting online but we do reveal our keystroke behaviour. Apparently, during the Second World War British female codebreakers learned the ’voices’  of  the German telegraph transmitters. This enabled them to identify important or false information. Keystroke dynamics focus on the ‘flight time’ – the time it takes to move from one key to another, and the ‘dwell time’ – the time one spends on any one key. (MIS Biometrics wiki http://misbiometrics.wikidot.com/keystroke)

There are other behavioural biometrics that can be used to trace us online. It is also possible to recognize someone online by the strategy, knowledge and skill  used in interacting with a piece of software. There are also indirect human-computer interactions that can be analyzed such as system call traces, audit logs, program execution traces, registry access, storage activity etc. (Yampolskiy, R. and Govindaraju (2010), V.  Taxonomy of Behavioural Biometrics – http://www.igi-global.com/downloads/excerpts/34647.pdf). A problem with a number of these is that they can generate too much information to sift through.  For example, an audit log can contain CPU and I/O usage, number of connections from each location, whether a directory was accessed, a file created, another user ID changed, audit record was modified, amount of activity for the system, network and host. (Yampolskiy and Govindaraju 2010 quoting Lunt 1993) However, Yampolskiy and Govindaraju suggest that a random sample of these might be sufficient to distinguish normal behaviour from suspicious behaviour.  Yampolskiy and Govindaraju point out that a lot of effort is being put into developing behavioural biometrics as they are useful for a number of fields including marketing, game theory, security and law enforcement (p. 30).

Gies also points out that it takes a lot of skill to manage an anonymous online identity:

…it is important to point out that identity play is difficult to maintain, even in settings which afford anonymity and disembodiment: pretending to be someone else is hard work and requires considerable cultural competence. p. 318

split personality

This was borne out this week by the ’self-outing’ of Belle de Jour who has been blogging since 2003 about her secret life as a prostitute.  Her blog was so successful it led to a series of books and a television drama.  She is in fact a 34 year old research scientist who was a prostitute for 14 months to support herself while she finished her PhD.  Noone was able to discover who she was; there were theories that she was a man, that because of her writing style a number of male writers had been mooted as being her.  But in the end, the psychological constraints of maintaining a hidden identity proved too much.  As she said in her blog last Sunday:

Belle will always be a part of me. She doesn’t belong in a little box, but as a fully acknowledged side of a real person. The non-Belle part of my life isn’t the only ‘real’ bit, it’s ALL real. Belle and the person who wrote her had been apart too long. I had to bring them back together.

So a perfect storm of feelings and circumstances drew me out of hiding. And do you know what? It feels so much better on this side. Not to have to tell lies, hide things from the people I care about. To be able to defend what my experience of sex work is like to all the sceptics and doubters.

So despite her success in thwarting those who tried to trace Belle and identify who she was, it was the difficulty of maintaining  two separate identities that led to revealing herself.

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Hayles and Skeuomorphs

“The posthuman subject is an amalgam, a collection of heterogeneous components, a material-informational entity whose boundaries undergo continuous construction and reconstruction.” (Hayles 1999, 3) One of the structuring principles of this course – the lifestream and the learning environment itself – is about disaggregation and reaggregation – taking things apart, scattering them across the network, and then having them put back together by the machine. What other connections might there be between cyborg theory and the pragmatics of online pedagogy and course design?

Tiger irisOne of the key aspects of Hayles’ argument that resonated with me is her notion of the history of intellectual and scientific development having a seriated pattern – in the shape of a tiger’s iris.

In the history of cybernetics…[ideas] were fabricated in a pattern of overlapping replication and innovation, a pattern that I call “seriation” (a term appropriated from archaeological anthropology)…[where] changes in artifacts are … mapped through seriation charts…[by] parsing an artifact as a set of attributes that change over time…The figures that … emerge from this kind of analysis are shaped like a tiger’s iris – narrow at the top when an attribute first begins to be introduced, with a bulge in the middle during the heydey of the attribute, and tapered off at the bottom as the shift to a new model is completed. pp.14-15 Hayles, N. K. (1999) “Towards embodied virtuality” in Hayles, N.K., we became posthuman:virtual bodies in cybernetics, literature, and informatics, Chicago: U of Chicago Press

Linked to this notion of seriated development is the importance of skeuomorphs:

A skeuomorph is a design feature that is no longer functional in itself but that refers back to a feature that was functional at an earlier time. [this term is borrowed from archaeological anthropology]… Skeumorphs visibly testify to the social or psychological necessity for innovation to be tempered by replication…they are so deeply characteristic of the evolution of concepts and artifacts that it takes a great deal of conscious effort to avoid them. p. 17 Hayles, N. K. (1999) “Towards embodied virtuality” in Hayles, N.K., we became posthuman:virtual bodies in cybernetics, literature, and informatics, Chicago: U of Chicago Press

She continues:

[Skeuomorphs] call into a play a psychodynamic that finds the new more acceptable when it recalls the old that it is in the process of displacing and finds the traditional more comfortable when it is presented in a context that reminds us we can escape from it into the new. p.17 Hayles, N. K. (1999) “Towards embodied virtuality” in Hayles, N.K., we became posthuman:virtual bodies in cybernetics, literature, and informatics, Chicago: U of Chicago Press

uncomfortable couch 

The lifestream aspect in the course is a way the ‘machine’ aggregates and assembles for us the disparate information we collect, the stray thoughts we may have etc. as we traverse the digital world. BUT it is us who provides meaning. The ‘machine’ provides no interpretation or sensemaking of the material it aggregates. Our human mind makes the connections, provides the context for why this information was noted in the first place. This is consistent with Hayles’ notion of an embodied virtuality. And blogging about the lifestream on a regular basis is important – otherwise, meaning would be lost in an evergrowing lifestream list. In designing an online course ’skeuomorphs’ may need to be designed into the course to make the new elements more acceptable.  I hesitate to say that a blog is a ’skeuomorph’ as it is a new digital form or genre.  But it has elements that hark back to journal keeping – albeit a very public one. Maybe for some types of students it needs to be kept private – as it is the case in IDEL.  The keeping of a private blog is in a sense a skeuomorph – harking back to an old form but a more comfortable form that may help make blogging more comfortable for the novice.

comfortable chair

 

 

 

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Reflections on Haraway, dualisms and the promise of Cyborgs

I can’t say I found Haraway an easy read – partly because I needed to understand first the context in which she is writing.  She is a biologist and a socialist feminist and the Cyborg Manifesto is a critique and an alternative to the brand of radical feminism that was dominant at the time of her writing.  Theresa M. Senft has provided some very useful background and notes on the Manifesto at http://www.terrisenft.net/students/readings/manifesto.html 

What interests me is her argument about the Cartesian dualism that is dominant in Western thinking and the Cyborg as an alternative.

The dichotomies between mind and body, human and animal, organism and machine, public and private, nature and culture, men and women, primitive and civilized are all in question ideologically. p. 44

In the first block of this course, when we explored digital culture, the images were very black and white.  A lot of films view the machine, the cyborg as a threat to humans.  Yet, ironically, Haraway sees the cyborg as the saviour.

The machine is not an it to be animated, worshipped and dominated. The machine is us, our processes, an aspect of our embodiment. We can be responsible for machines; they do not dominate or threaten us. We are responsible for boundaries; we are they.

Michael Wesch has simplified this argument and made it more accessible and popular in his video – the Machine is Us/ing Us

YouTube Preview Image

 There is one point in the video where he makes this point very clearly:

When we post and tag pictures, we are teaching the machine. Each time we forge a link between words, we teach it an idea. Think of the 100 billion times per day humans click on a web page teaching the Machine.  The machine is using us – is us.

The words above Wesch has extracted from an article in Wired by Kevin Kelly – We are the Web. http://www.wired.com/wired/archive/13.08/tech.html?pg=4&topic=tech&topic_set=

I suddenly made the connection with Wesch when reading Haraway. The machine is us/ using us is not a dichotomy but one and the same. We both control and are controlled by it. Rather than a dichotomy of either/ or, it is both.

It is late. Does this make sense?

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An example of multiple genres from an academic

Digital porch

I noted Damien’s comment on why do academics talking about transliteracies and new genres use the established academic genre.  Melanie Hundley, Assistant Professor at the College of Education and Human Development at Vanderbilt Peabody College is an academic blending genres.  Her multi-media hypertext autoethnography, The Bard on a Digital Porch, http://tinyurl.com/ygrxync  is a good example of an academic exploring multiple genres.  She writes:

“The goal of the project was two-fold; first, I wanted to craft my family stories into a collection of pieces that introduced a reader to Shakespeare the way that I met him in bits and pieces, fits and starts, quotes and misquotes. I also wanted to rediscover the rhythms and language of my childhood…

The choice of creating a digital ethnography is deliberate and part of my first goal the non-linear nature of hypertext mirrors the fits and starts of how I met Shakespeare. A traditional format did not suit the goal. This ethnography is both digital and multigenre in its format.”

Regarding genre, she says:

“I feel that academic writing limits me to a particular type of argumentation and idea presentation (as does storytelling).  I want to be able to choose among a variety of genres to express my ideas; I want to be able to choose the genre that best showcases what I want to say.”

Her autoethnography contains stories, poems, journal entries and photos.  There are three paths the reader can follow:

  • A chronological path that begins when she was seven
  • A path that lets you follow the players in the stories
  • A path that lets you follow play titles and quotes

Hundley writes about the multiple purposes of her text.

“There are multiple purposes for this excursion that is both ethnography and hypertext. It is both a ambling path through the stories of my childhood and an attempt to write in a form that enacts theories of text made explicit in hypertext. As an author of this text, I have my own purposes for this text. The purpose is also you, your journey, your meaning-making, your construction will allow you to co-author the text. You are on your own wander, meander, explore, construct.”

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Reflections on Poster and images of digital culture

Poster, Mark (2006) “The good, the bad and the virtual” from Poster, Mark, Information please: culture and politics in the age of digital machines pp. 139-160, 274-5, Durham, N.C.; London: Duke University Press.

What struck me from our two week short film festival was the way the cyberworld and the future were dominated by dystopian images.  The robotic/ digital futures were portrayed as colourless, dominated by shades of grey merging into black.  The machine/ robots were not to be trusted.  A threat of machines taking over, and threatening humans was pervasive.  At the beginning of the course I posted a short video on Wallwisher which used a series of clips of old technology (telephone switchboards, television etc.) to illustrate the impact of new technology. I posed the question: Is the impact of new tech just more of the same?  Sian had commented that I would enjoy Poster who would illustrate in how, in at least one area (ethics), it is not the same.  She was right. I found Poster very interesting. In particular, his discussion of ‘the good, the bad, and the virtual’ as not a polarization – an idea he borrows from Leone’s film – the Good, the Band and the Ugly – where introducing ‘the ugly’ upsets the polarization of good and bad – and where in fact, all the characters were ‘bad’. 

In a sense, Poster starts by saying, in a way, that it is ‘more of the same’; that every new medium has been greeted with a warning of undermining the ethical basis of society.  But the way each new medium impacts on society and ethical issues is different.  Poster takes a Nietzschean view that ethics is an historical construct (p. 145).  The following is what Poster identifies as unique to the internet as a medium and digital culture:

  • Up to the introduction of the WWW in 1993, it was dominated by the culture of computer scientists and the ethos of the university community
    • Ethic of sharing information
    • Designed as an open, harmonious community with no gates
    • Users were mostly civil and felt it was a utopian communication device
      • Some new forms of strife appeared: flaming, spamming but community felt newbies could be coached into netiquette
  • Post 1993 with the creation of Web Browsers the number of users increased dramatically
    • No longer possible to coach newbies
    • Broadcast media presented the internet to the society at large especially those with no experience of the internet
      • Important not to ignore intermedia rivalry and the threat of the new medium to the old in the way the internet was/is portrayed
      • Key ethical concerns:
        • Ease of access
        • Global availability of what is posted
      • Acts regarded as acceptable in certain contexts become moral issues owing to their media proximity p. 14
        • Publication in newspapers or television reporting make these acts known to non-Net users who make judgements
  • Issues on anonymity of identity
    • “…interface of computer and ease of communicating through a network renders identity in question in every case” p. 151
    • The virtual ethic may demand a different more demanding obligation:
      • “…act so that you will continue to maintain the identities you have constructed in relation with others”.
  • Overload and censorship
    • Paradox that everyone sees information as key to success (p. 154) yet everyone complains of information overload
      •  
        • Baudrillard – inverse relation between quantity of information available and quality of meaning in everyday life
    • Any crank can create a web-sit
      • May need new level of moral restraint, given ease of disturbing material can be make available world-wide p. 155
  • Internet researchers’ key concern: How can identity in cyberspace conform in “real life” pp. 155-6
    • Question of the nature of the good has become the nature of the ethical subject p. 156
    • Donath wants to impose standards of the ‘real world’ rather than explore ethic from the point of view of the new speech situation
    • Mediated identities are by no means stable, that “identity deception” is not an adequate conceptual vehicle to understand ethics in the mode of information p. 157

Poster’s solution is to take a Nietzschean perspective that explores the good and the bad in the culture of the virtual p. 158  He claims that digital media shuffles us around into new agglomerations that make no sense in relation to proximate practices and norms pp. 159-160.  Digital culture is still new, we are finding our way.  Popular conceptualizations are still very black and white, good vs bad.  Perhaps we should not see the media as the problem but how we use it.  We are still exploring ways of using it.  And there are different constituencies – government, commercial, activists, educationalists, criminals etc – struggling to shape the media to their needs.  Chaos to the souls of those online indeed.

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Musings on Bell and Hand

Initial reflections on inter-relating Bell and Hand readings.

Bell, D (2001) “Storying Cyberspace:  Material and symbolic stories” in An Introduction to Cybercultures pp. 6-29 Abingdon: Routledge

Hand, M (2008) “Hardware to Everywhere: Narratives of Promise and Threat” in Making digital cultures: access, interactivity, and authenticity pp.15-42, Aldershot: Ashgate

I was glad that I read Bell first as he gives a good account of the various forms of material histories of digital technologies as well as the impact of our symbolic understandings of these technologies.  When I started to read Hand I noted the difference in the publications dates – Bell:2001; Hand: 2008 – and reflected that things had moved on quite a bit since Bell wrote. In fact, Hand talks about the first wave of Web studies focusing on cyberspace as something separate – either seen as a “technical fix for the limitations of western democracies or an autonomous realm for elites and self-excluders”. Hand argues that culture in all forms is thought to be digitized. Cyberspace is no longer conceived as something ‘out there’.  Bell’s article, I had initially put in that first wave of web studies.

Having finished Hand, I am not so sure. Perhaps Hand’s article could be subsumed under Bell’s Political Economy Stories – albeit a very sophisticated and in-depth analysis of contemporary social and cultural thought. Hand successfully brings out how complex a field this is – counterpoising both utopian and dystopian arguments. And pointing out that they both fall into a narrative of inevitability.  On top of this complexity, I think one still needs to add Bell’s symbolic stories. Because that is how we experience the Net and the film shorts we have seen are variations of well-known stories about worship, believers, control, lack of control, power relations etc.

But I need time to reflect more.

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