By arthurh, on October 4th, 2009
Bell, D (2001) Storying cyberspace 1: material and symbolic stories, chapter 2 of An introduction to cybercultures
Bell defines cyberspace in terms of storytelling. He categorizes it as threefold: material stories, symbolic stories and experiential ones.
Under material stories he includes the history of computing, the development of the internet and the world wide web and virtual [...]
By arthurh, on October 3rd, 2009
The opening music I recognized but couldn’t name and the style of the cyber hermaphrodite seemed to me to be deeply Slavic, Dostoevskian in outlook. The character is extraordinarily effective in its simplicity; a blank canvas on which to portay emotion. Of course the source is Russia so one might expect that yet the dark [...]
By arthurh, on October 3rd, 2009
This makes Stern’s point about the dominance of the visual absolutely. For me the primarily visual atmospherics dominate to such an extent that I feel swamped by so many screen- image techniques:
suspension focus on the hand
close photography of signs of physical strain
close photography of signs of psychological stress
rain, lightning
steam
chiaroscuro
silhouettes
looming technical presences
scenes of devastation
saved/ saviour
cat and [...]
By arthurh, on October 2nd, 2009
The most illuminating reference for me so far was that to Baudrillard’s ‘Simulacra and Simulations‘. After puzzling over the meaning of ‘Elephants Dream’ and drawing a virtual blank; I picked up that reference dropped by Sian on our Tweetdeck.
I had already played with the switching roles in the film; the inherent contradictions and the [...]
By arthurh, on October 2nd, 2009
Predetermined reality or virtual wonderland is the offer which faced me this week. I have been having fits of vertigo. Sometimes the room is a vortex – sometimes normal. I have been having tests to determine the problem. During this period I have missed a whole part of the course ending last night. Flexible distance [...]