Archive for the visual literacies category
This entry is part 4 of 12 in the series weekly summaries

Ok I can’t resist I have to formally weigh in on Jen and Andy’s Cabinet of Curiosities discussion (and I have loved and been inspired by the interactions in this block – an idyllic learning environment indeed).  To summarise, the metaphor of lifestreaming as curatorship poses several ethical questions regarding the collection of items of interest. Quoting from Tony’s blog:

Cabinets of curiosities or Wunderkammern are collections of ’strange’ and ‘primitive’ artefacts – some natural, some hand-made -  acquired and displayed by mainly wealthy collectors. They belong to a culture of aristocrats, gentlemen or aspiring gentlemen and are also part and parcel of the phenomenon of the grand tour. To be one of the curiosi, is to reveal a fineness of sensibility, an appreciation of the sublime but also an understanding of what’s really art – and what’s just … well …  ’strange’ ( a ‘curiosity’).  So, I see them as being one of the ways in which a particular class of men distinguished themselves aesthetically, and through this, socially.

The ethical question posed here is the power inherent in being associated with a collecting elite.  Whether the prestige garnered from owning a collection is social, economic or (in our case) intellectual we are involving ourselves in a power game – and potentially gathering influence by having the ‘right’ things in our collection. In the world of material artifacts whether items are gathered for private  or public collections there is often an issue of legality in their appropriation.  This too has a parallel in our digital collections.  None of the images I gathered for my video were from creative commons sources, though I did relent and use Audioswap to remove my copyright non-compliant soundtrack, replacing it with something from You Tube’s library.  However I think the illegal appropriation of copy-righted images (and sound) is an important topic as is the ethics of collecting.  What about the future? Will the dynamic user-generated momentum of Cyberia carry us into a a virtual lifeworld everything is up for grabs? If we can all own everything will prestige come only our apparent discernment over what we have included (and chosen to exclude) and the consequent approbation from our cyberpeers registered in hits and comments?

If so will be be moving forwards or backwards?

After a quick hit and run mission on google to appropriate images for this post (see below) I notice that this topic has many miles yet.  Ethnography is just as much a controversial and power riddled issue as the collection of visual artifacts. So don’t put your pith helmets and shrunken heads in storage just yet!

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Ladies who collect, from l2r: Alexandrine Tinne, Mary Kingsley, Delia Akeley and of course Lara Croft (below)

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Oh well.  I tried very hard to stick to my intention to do all of my reading 100% digitally with no printing, but here in week four after 2 days of headaches centred around my eyes I gave up and printed off my texts.  Sorry guys, I’m just not ready to embrace an entirely digital world.  I miss the caress of paper and the smell of highlighter.  And my eyes hurt.

Initially I am simply going to post my artifact, and later this week I will make a post explaining my concept.  But as it is a VISUAL artifact I am interested to learn how it speaks for itself and posting it with a textual explanation would undermine what may emerge naturally from that quality.  So, enjoy (and crank up your volume as there is music with it – and there is an interesting story there too, which I will also post later).

Future female: fetish or force?

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Using a method of counting host computers and then multiplying by a projected number of users , Jordan states with reason able confidence that there were between 40 and 70 million Internet users in mid1998.
James Slevin (2000) , meanwhile, cites the figure of IS{;-180 million users in 1999. though he does not discuss the re liability of his sources. Whatever the number of users in total, however , what matters more to our analysis is their distribution spatially and socially. Here again, however, the numbers vary – though the overall picture is pretty clear. Jordan writes that, in July 1998, the US had 65 per cent of all Internet hosts; Slevin (2000: 40) states that ‘almost 99 per cent of all Internet connections were in North America, Western Europe and Japan’ by the late 1990s. (Bell 2001, p17)

Bell, D (2001) Storying cyberspace 1: material and symbolic stories, chapter 2 of An introduction to cybercultures. Abingdon: Routledge. pp6-29.

A more recent picture from Internet World Stats (click for larger image)

world internet users

Although the % of the population shows that Western countries are still more connected, growth shows how the developing countries are catching up.  For me the connectivity of the internet will be far richer and more meaningful when I feel connected to those new users in Africa and the Middle East, when I can read their stories, tweets, blogs and status updates.

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